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| O 410 - Active Studio Monitor |  |  |
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| General Description |
Back in 1967, Klein + Hummel launched the world’s first active multi-channel studio monitor, the OY. The O 410 represents the latest incarnation of the many technologies pioneered by Klein + Hummel during the intervening 40 years. Engineering excellence applied to all aspects of the O 410 design brings a new benchmark in audio reproduction quality. A waveguide featuring Mathematically Modeled Dispersion™ (MMD™), flexible acoustical controls, various input options, and an extensive mounting hardware range allow the O 410 to be used in diverse acoustical conditions, with any source equipment, and in a wide variety of physical locations. The O 410 has been designed for use as a mid-field or main monitor. It is particularly well-suited for use in music, broadcast, and post production studios for tracking, mixing, and mastering. The O 410 can be used free-standing or flush mounted into a wall, and, in multichannel systems, can be mixed freely with other loudspeakers in the Klein + Hummel range. |
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| Features |
Mid Sized 3-way System
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| | The most important part of the frequency spectrum is reproduced by a separate midrange driver
| | Extremely low harmonic and intermodulation distortion results in clean sounding audio reproduction
| | Exceptionally neutral sound stage from 30 Hz to 24 kHz (±3 dB)
| | Ideal cabinet materials with excellent self-damping properties
| | Structural resonances avoided using LRIM™ (Low Resonance Integral Molding™)
| | Vented enclosure extends bass response, even at very high output
| | Modern-looking design with optional grille
| | Extensive accessories allow for a multitude of installation possibilities
| | Magnetically shielded for use next to CRT screens |
Mathematically Modeled Dispersion™ (MMD™)
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| | Three stage design process:
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| | Waveguide is mathematically modeled before physical prototypes are realized,
| | Physical prototypes are measured under anechoic conditions to verify theoretical performance,
| | Extensive listening tests correlate objective measurements and subjective perception |
| | Wide horizontal directivity gives increased freedom of movement along the mixing console
| | Narrow vertical directivity reduces the effect of early reflections off the console surface
| | MMD™ is easily rotated in the field when horizontal mounting the cabinet
| | Perfect directivity pattern leads to a smooth power response |
Advanced Electronics
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| | Transformer balanced input stage (TIM 1) equipped with special distortion reduction crossover function
| | Q 16...24-Bit, 20...216 kHz digital input stage (DIM 1) for AES3, AES 3id and S/P-DIF signals
| | Q Electronics can be remotely accessed when the cabinet is flush mounted (REK 1 and CP 2, CP 5, CP 10, CP 15, CP 20, CP 25, or CP 30)
| | Integrated electronic limiter for each driver |
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| | Hybrid class A-B amplifiers, employed for their best overall performance, are also protected
| | Active three-way crossover with 24 dB/oct. slopes
| | Input options give flexibility without burdening basic product:
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| | Transformer balanced input stage equipped with special distortion reduction crossover function,
| | 16…24-bit, 20…216 kHz digital input stage for AES3, AES 3id and S/P-DIF signals,
| | XLR and BNC inputs, and a BNC output for flexible and robust interconnectivity |
| | Display for signal type, protect, and digital status is integrated into the MMD™, together with a K+H logo
| | Controls adapt the monitor’s response to compensate for the loudspeaker’s environment:
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| | Bass, mid and treble controls for specific and common acoustical issues,
| | Parametric EQ for low-frequency corrections |
| | Accelerated Heat Tunneling™ (AHT™) ensures effective amplifier cooling whether the cabinet is mounted vertically or horizontally.
| | Electronics can be remotely accessed when the cabinet is flush mounted
| | Electronics can be remotely powered on with two modes of operation (0 V and 12 V trigger)
| | Attention to detail in design results in low self-generated noise |
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| Delivery Includes |
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| Technical Data |
| Acoustical |
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-3 dB free field frequency response |
30 Hz - 24 kHz, ± 3 dB |
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Pass band free field frequency response |
32 Hz - 20 kHz, ± 2 dB |
| Self generated noise level at 10 cm |
< 25 dB(A) |
| THD < 0,5% at 1 m distance from |
95 dB SPL (> 100 Hz) |
| Max. SPL in half space at 3% THD in 1m |
120.0 db SPL |
| Max. SPL averaged between |
100 Hz and 6 kHz |
| Electrical |
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| Woofer amplifier, cont. output power (THD < 0.1%) |
340 W |
| Woofer amplifier, peak output power |
400 W |
| Midrange amplifier, cont. output power (THD < 0.1%) |
160 W |
| Midrange amplifier, peak output power |
190 W |
| Tweeter amplifier, cont. output power (THD < 0.1%) |
180 W |
| Tweeter amplifier, peak output power |
210 W |
| Controller design |
Analog, active |
| Crossover - Frequency |
600 Hz / 2.0 kHz |
| Crossover - Slope |
24 dB/oct |
| Equalization - Bass |
0; -2.5; -5; -7.5 dB |
| Equalization - Mid |
0; -1,5; -3; -4,5 dB |
| Equalization - High |
1; 0; -1; -2 dB |
| Parametric Equalizer |
Bypassable |
| Parametric Equalizer - Gain |
+4 ... -12 dB |
| Parametric Equalizer - Frequency |
20 ... 200 Hz |
| Parametric Equalizer - Q |
1 ... 8 |
| Protection circuitry |
Limiter: low, mid, high |
| Substronic filter: frequency/slope |
15 Hz; 12 dB/oct |
| Input, analog |
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| Impedance, electr. symm. |
XLR, 13 kΩ |
| Impedance, bal. floating |
XLR, 4.7 kΩ* |
| Input sensitivity |
-8 dBu/+6 dBu |
| Gain Control |
-9 ... +6 dB |
| CMRR |
> 60 dB @ 15 kHz |
| In-/Output, digital |
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| XLR, (BNC) |
AES3 (AES3id, S/P-DIF)* |
| Impedance XLR |
110 Ω, balanced floating* |
| Impedance BNC |
75 Ω, non symmetrical* |
| Input switching |
Analog/digital* - left/mono/right* |
| Digital converter - resolution, design |
16 ... 24 Bit DA, Delta Sigma* |
| Digital converter - sampling rate |
20 kHz ... 216 kHz (SRC)* |
| Displays, indicators - power on |
K + H logo "red" |
| Displays, indicators - limit / clip / signal |
Protect / digital / analog |
| Mains |
100, 120, 230 V AC swichable |
| Power consumption - idle |
36 VA |
| Power consumption - full output AC; DC |
1.300 VA |
| Mechanical |
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| Cabinet surface |
Painted |
| Color standard |
Anthracite (RAL 7021), silver (RAL 9006) |
| Baffle cover |
Optional metal grille, removable |
| Drivers |
Magnetically shielded |
| Woofer |
265 mm (10") |
| Midrange |
76 mm (3") |
| Tweeter |
25 mm (1") |
| Mounting points |
8 x M5 on rear |
| Height x width x depth |
645 x 330 x 444 mm (25 3/8" x 1" x 17 1/2") |
| Net volume internal |
42 liters |
| Weight |
36 kg (79.4 lbs) |
| Accessories |
On a floor stand LH 41 + LH 28, LH 41 + LH 28 + LH 36, LH 41 + LH 29, LH 41 + LH 36 + LH 29
On a subwoofer LH 41 + LH 37, LH 41 + LH 36 + LH 37
On a wall LH 42 + LH 45, LH 44 + LH 45
Off a ceiling LH 42, LH 42 + LH 43, LH 44, LH 44 + LH 43
Off a lighting or truss bar LH 42 + LH 29, LH 44 + LH 29
Other accessories TIM 1, DIM 1, REK 1, GO 410 B, GO 410 S, FO 410, CP 2, CP 5, CP 10, CP 15, CP 20, CP 25, CP 30 | *user fitable option |
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| Accessories |
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| Variants |
| Product |
Article No. |
Description |
| O 410 |
502249 |
Active Studio Monitor, 100/120/230 V, anthracite (RAL 7021) |
| O 410 |
502250 |
Active Studio Monitor, 100/120/230 V, silver (RAL 9006) | |
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| Measurements |
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| Download |
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| Profile |
Active Studio Monitor O 410 Three-way active loudspeaker system powered with 340 / 160 / 180 watts RMS amplifiers. 1" tweeter, 3" midrange dome, 10" cone woofer, MMD™ waveguide, painted LRIM™ enclosure, drivers are magnetically shielded. Max. SPL 120 dB at 1 m. XLR electronic balanced input, optional transformer balanced input and optional 16…24-bit, 20…216 kHz digital input. Free-field frequency response 32 Hz - 24 kHz, ± 3 dB. Eto compensation for room acoustics consists of: bass, midrange, treble and one parametric equalizer stage. Self-generated noise ≤5 dB(A) at 1 m. Dimensions 330 mm wide (13") by 645 mm tall (25 3/8") by 480 mm deep (19 7/8"), weight 36 kg (79.4 lb).
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